Prague Buddies 3 / 3 (William Higgins, William Higgins Productions) [2001 ., Oral Sex, Anal Sex, Group Sex, Uniform, DVD5]

Prague Buddies 3 / 3

: 2001 .
:
Genre: Oral Sex, Anal Sex, Group Sex, Uniform
Duration: 02:05:21

: William Higgins
: William Higgins Productions
Starring: Andel, Jozeph Markovich, Mylan Foreman, Ivo Skala, Roman Tomas, Martin Pravda, Pavel Korsakov, Peppino Sobato, Pavel Holub, Zdenek Romany, Nikola Lubov, Bill Zeeman, Marko Giacomo, Sascha Antonov, Libor Taborsky and Jirka Kalvoda (aka Ales Hanek)
Description: By the time William Higgins finishes his "e;Prague Buddies"e; series, we will know more about the culture and psyche, of Eastern European (primarily Czech) men than anyone has ever learned over the many years of history which have shaped that region. That he will have done that through detailing the deeply personal, romantic, sometimes melancholic -- but always explosive -- sexual appetites of these men will eventually rank as one of the most remarkable artistic achievements of the international porn industry. This is said in all deference to, and recognition of, the equally stunning contributions made by Bel Ami's George Duroy. Duroy gives us unabashed sexual pleasure; Higgins gives us depth, and -- egad, I can't believe I'm writing this -- soul.
On its face, "e;Prague Buddies 3: Liebstod"e; is an outstanding achievement in cinematography, casting, direction and very hot sex. Taken with its predecessors, "e;Prague Buddies,"e; "e;Prague Buddies 2: Verbotene Leibe,"e; and (we expect) the sequel, "e;Prague Buddies 4: The Ancient Forest of Prague,"e; however, this video is a must-see for more than all the cinematic and cultural reasons. It also represents a history of Eastern European male porn, for it was filmed for the most part a couple of years ago in bits and pieces, and it features the very first post-California Higgins stars, some of whom have disappeared, others of whom are still holding down Fortress Higgins. As such, it's a bridge. It's good to see old friends, and it's especially good to see them sucking and fucking with such intense abandon, as if tomorrow may not come.
Indeed, that is the underlying theme of PB3 -- that young men who came of age during the first decade of post-Communist rule are suddenly thrust into another belligerent situation, that of the conflict in the former Yugoslavia, specifically Bosnia (which dates the movie instantly), which is where some of the cast is headed as part of a United Nations peacekeeping force.

We are introduced to this through the beautiful eyes of Jozeph Markovich, whose shining blond face opens the movie while he's handcuffed to a bed in his grandparents' home in the Czech countryside. Seems they've promised his father to look after him, and he's been rowdy, chasing the girls and all that. This scene is hilarious and exceptionally insightful, even though it lasts but a minute. After evoking a promise to mend his ways (complete with "e;kiss-the-cross"e;) the grandparents let Jozeph go, and he runs away again. This time, however, he's intent on making it to Prague, and winds up flagging a taxi driven by Mylan Forman, whose first appearance on screen was in Higgins' "e;Andel's Story 2: The Running of the Bulls"e; (All Worlds), where he was ravished anally by several men. His video achievement thus far, however, was his incendiary coupling (as Juro Boulac) with Ladislav Pekar in final scene of "e;Winning Ways"e; (Studio 2000), the recent romp from Higgins' Prague protege Jan Novak. Mylan is without question the most muscular, and quite possibly handsomest, bottom in Higgins' ensemble -- a crew-cut blond with piercing blue eyes that simply undress the beautiful Jozeph as he gets into the cab and announces that he wants to go to Prague but has no money. I was quite expecting a spurt of cum to fly out of Mylan's pants into his eye from the way Higgins framed his response to Jozeph's plight: "e;Well, what the hell,"e; as he shifts into gear.
Once in Prague, Jozeph protests that he wishes he could do something for Mylan's kindness, and when asked what he has in mind, responds with a line that, unless it's a Czech idiom, might have gotten lost in the subtitle translation: "e;I can give you a hand roll."e; We are transported to an abandoned barn attic where Mylan is butt-naked except for tight, torn denim shorts, bathed in light and being caressed to the strains of opera (I don't know which) by an adoring, shirtless, Jozeph. It's straight out of a painting by Rafael.
This is a gentle, somewhat hesitant, love scene filled with discoveries -- Jozeph finds Mylan's straining cock through a hole in his shorts, pulls it out and adores it, licks and kisses Mylan's incredible abs and pecs, and takes his first piece of cock, which quickly turns into a gobble. Mylan pulls Jozeph's hot rod from his white sport boxers, spending some time on his delicious navel ahead of time, then -- professional that he is -- gives Jozeph a lesson in cocksucking. They evolve their tryst through several artfully staged 69 positions before (out of nowhere) Jozeph produces a dildo, and proceeds to warm up his new friend's hole. He then plunges his owns substantial rocker up Mylan's fully round and rewarding butt until he pulls out in a spew of thick white goo, matching his new lover's seed. Transformed, Jozeph pines that Mylan and he should live together, but though he professes he would like to, tells his lover that he must leave for Bosnia in the morning. They fall asleep in each other's arms (and damn it if I didn't sigh while wiping my stomach dry).
Higgins then takes us to a traditional Czech festival, "e;The Burning of the Witches,"e; which serves to further his intent of getting us to love his adopted homeland, and to introduce us to Martin Pravda, Roman Tomas, and Ivo Skala, who sort of bump into each other as tourist observers throughout the festivities. Ivo, a crew-cut, buff, top who bears a slight, but more mature, resemblance to Higgins' star Carlo (of "e;Carlo & Friends,"e; William Higgins Presents), eventually finds a sleeping post in a tree house. He wakes there the next day and spies Roman and Martin going through the woods, stripping and wading into a stream. Roman, a tall, lithe dark beauty with some chest hair, has got one of the longest cocks in Europe -- a good 10-incher.
However, the revelation here is Martin Pravda, an early Higgins star whom I hardly recognized. He grew his hair and buffed up, and turned into one of the most stunning young men in the movie; indeed, I think he steals it from under everyone's cock. He does this by unabashedly worshipping cock -- he begins by kissing Roman by the stream and dropping to gobble that magnificent dong. Then, when they spot a naked Ivo, who gets embarrassed and tries to put his hardon between his legs, Martin pulls the cock through his thighs and sucks it from behind. Martin then double-sucks both of the others until they spurt, Ivo sending more than his share all over the place, with Martin worshipping the spilling of every drop. The guys then climb into an old barn attic (lots of them in the Czech Republic) and finish their tryst with both Ivo and Martin fucking Roman in a variety of positions. "e;Clair de Lune"e; is the soundtrack. It works.
We are now in a square in Prague. Four men are taking off for their military stint in Bosnia; their friends, or lovers, are there to see them off. Here we are introduced to the stars of PB1 and PB2 -- the hulky Jirka Kalvoda, and the exceptionally beautiful Pavel Korsakov, who is on crutches, and who clearly is trying to hide the pain he feels seeing his lover, Jirka, going off to war. Jozeph is there also, waving goodbye to Mylan, as is Ivo hugging Martin goodbye. Also there is a post-pubescent sad-eyed bunny named Peppino Sobato, who gives a hug to Marko Giacomo. The soldiers pull away, and Pavel Korsakov is left alone, on crutches, until Peppino approaches him and tells him he "e;knows a place"e; where they can sit and talk. They get into a cab (driver is Higgins), and wind up in yet another loft.
Obviously hampered by his condition, Pavel was probably in no shape for one of his traditionally wonderful fuck-fests, so Higgins turns this scene into an almost melancholic mutual jerk-off -- and it works. "e;I already miss Jirka so much,"e; Pavel says to Peppino, and starts to strip. What follows is one of the more sensuous mutual jack-off scenes you're likely to see. With sweet, longing looks, and a soundtrack to match, the two strip, mostly to Pavel's soft toned instructions, which are downright sensual in Czech. Peppino is given a lesson in eroticism by Pavel, whose instructions are sometimes in subtitles, but for the most part need no translation. By the time they reach a mutual climax, Pavel's closing lines are anti-climactic: "e;You are young and have so much to learn. And I have the time to teach you."e; Hey, Higgins -- bring on PB4!
Now we are at the Bosnian front, in the winter, in the snow. In the barracks some Czech and Russian soldiers decide to put on a little show, a la "e;Cabaret."e; The lovely Andel, Higgins' first big star, a soft-faced beauty with full red lips, a wonderfully ingratiating smile -- and nice cock and fantastic ass, plays the Joel Grey character. Then Martin Pravda and Libor Taborsky come out in wash-mop drag and the three do an Andrews Sisters routine. Two of the Russians then show a thing or two about their own way of dancing and the entertainment (well, the stuff with clothes on) comes to an end, the fun begins.
Andel and Jirka are scheduled for patrol, and as they leave, Martin and Libor (the Andrews Sisters) start groping each other. Meanwhile, in the audience, Mylan leans over and kisses Bill Zeeman, a short, dark haired powder keg; Pavel Holub cops a feel from Marko Giacomo; and Zdenek Romany wastes no time and goes down on the long, long cock of Roman Tomas. Across the room, Martin and Libor are fucking around with one of the Russians, and before long, it's everyone into the pool. This is an orgy that is highlighted by two main cinematic effects: Live sucking and breathing -- it's exceptional, especially when there's no musical background; and wonderful lighting. Indeed, this is one of Higgins' best orgies ever because of the lighting. The scene is in a dark building, but you see every inch of skin (going into every aperture), hear every moan and lick, and witness some extraordinary sex.
Zdenek Romany is a major player here, eating cock and getting his butt stuffed in virtually every take -- this is a really attractive Slavic type with a fantastic ass and halfback body. Martin Pravda eats every dick in sight, while Bill Zeeman serves as a pumping board for half a dozen cocks. Mylan Forman provides some wonderful moments sucking cock through a chain-link fence, popping up and down on cocks in a sit-fuck fashion, and simply spreading his legs from wall to wall for impatient poles to plow. Roman Tomas keeps his long cock busy, and his butthole filled. Libor Taborsky, who was usually a top in other Higgins films, takes it up the wazoo with abandon here. Indeed, there is so much sex going on, so many cum-shots from each of the participants that I can only imagine that it had to be filmed over more than two days. On film it lasts more than 40 minutes -- and that's a full-length video from some studios! (You can imagine what my laundry bill is for that scene alone.)
Finally, we are placed in a pretty dicey situation. With Pavel Korsakov watching reports of NATO's bombing of Serbia on TV back home, his lover Jirka and the beautiful Andel are captured on patrol, tortured and thrown into a makeshift prison, handcuffed together. Here Higgins lets the natural effects of loneliness; melancholy, fear, and sexual attraction take over. We are left to eavesdrop on Jirka and Andel as they try to get out of their primitive handcuffs, and succeed in part; then Andel whispers that he's cold and Jirka bundles him close. And they kiss. Their love scene is unusual in that it is all one-way. Andel worships Jirka, who allows his cock and body to be engulfed by the adoring Andel, who then takes Jirka's substantial pole in sit, doggy and straddle positions. It's really not as cold a scene as it sounds, thanks almost exclusively to the wide-eyed wonderment of Andel.
The ends of both the love scene and the movie should not be revealed here; you have to see it in order to appreciate the overall effect which Higgins is trying to achieve with this, and other, segments of a growing body of work which has already matched, if not dwarfed, his American career in terms of imagination, artistry and pure sexuality. It is the genius of this one man who has bridged the male porn industry for almost four decades now, and I for one am absolutely certain that when and if he decides to leave Prague, he would be able to define an entirely new male porn genre wherever he might alight. New Zealand, anyone?

Video quality: DVD5
Format: DVD Video
Video Codec : MPEG2
Audio Codec : AC3
Video Codec: MPEG2 Video 720x540 (4:3) 29.97fps 6800Kbps
Audio Codec: Dolby AC3 48000Hz 6ch 192Kbps

Prague Buddies 1 (DVD5), Prague Buddies 2 (DVD5) viktor01021 Prague Buddies 4 (DVD5)
Prague Buddies 1 (DVD5), Prague Buddies 2 (DVD5) viktor01021 Prague Buddies 4 (DVD5)

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